Declare

Declare: (v) to make known or state clearly

Rolling up to the border crossing in Detroit, between Canada and the United States, the agent behind the glass window said:

“Anything to declare?”

I didn’t know what he meant.

I was twenty-one years old, driving a beat-up brown van, with long hair laying on my shoulders. I felt completely normal. I think he feared I was less-than-average.

I said, “What do you mean?”

The simple asking of that question caused him to leave his booth, come out and demand that I open the rear end of my van.

I did.

I innocently thought, “What’s the big deal?”

But what he saw, as a Canadian official, were two young girls, resting in sleeping bags, some electronic equipment, and brown boxes. He was suspicious.

I think he thought I was hauling the trifecta: kidnapping women, stealing stereos, and shipping drugs.

We were required to open everything.

When it was discovered there was nothing of interest, he found a reason to object. You see, in the boxes were the record albums we sold at our gigs. I was ignorant of the fact that Canada wanted to put a surcharge on any record album coming across their border, that was going to be sold at a live concert.

Worse was the fact that the surcharge for each album was $2.85.

Not only did we not have the money for the surcharge, but none of us had seen that sum of money for a long time.

I begged.

I gave my full lineage and testimony.

I even tried to declare things he didn’t ask me to declare.

He was not interested.

We were rejected at the Canadian border.

Yet we were supposed to do a Canadian tour.

Leaving that station, we stopped at a coffee shop about two miles down the road, still itchy and bitchy from our encounter. Our waiter explained that the Detroit crossing was very difficult—asking you to declare every little thing. But if we drove up the road about eighty miles, there was a crossing that was much easier.

I thanked him.

We got in the van and decided to take the chance that our food-getter knew what he was talking about.

Arriving at the gate, we pulled up slowly. There was nobody around. It was just a little building—big enough to hold ten toy soldiers.

When we stopped the van, though, a man came running up from a nearby grove of trees with his dog in tow.

“Ay!” he said. “Sorry I wasn’t at my post. Had to go take a piss.”

He looked at me. I looked at him.

I was waiting for him to ask me to declare.

He didn’t.

I got out, petted his dog, told him I was a musician—and he said he was a budding songwriter himself.

He patted me on the shoulder, I got back in the van, he waved his hand, and said, “Go on through—hope you enjoy us.”

Now, I have two thoughts about this story:

Sometimes a music group is just a music group and you should leave them the hell alone.

But sometimes people in vans in the middle of the night need to do more than just pet your dog.

 

Crouch

Crouch: (v) to stoop or bend low.

I’m going to do what I don’t normally do—but when I do it, I feel free to do it at will.

I’m going to abandon this definition and tell you a story about a man named Andre Crouch.

It’s spelled the same.

Many, many years ago, when the United States was recovering from a war and an egotistical President who was a tyrant, and crooked (pause)…

Hmm.

Anyway, it was a while back.

There was a young, black soul and Gospel singer named Andre Crouch who came on the scene for a season and did his part to open up the United States to racial harmony and integration—taking the land of Dixie and the world of Southern music, and twirling it on its head.

For these old church singers did not want to accept a black man into the inner circle (which could not be broken) but also could not deny that this gentleman was one helluva songwriter, and an even greater performer.

Arguably, it could be stated that he was the father, or at least uncle, of contemporary Christian music.

He was my friend.

I had a puny little group from Central Ohio. We were desperately seeking some attention from the marketplace when I met Andre Crouch. He did something he should never have done. He took us in—pale though we were—and allowed us to be the warmup group for his large concerts.

Even though he was gradually integrating, most of his audience was of a darker skin color. Why he thought he could get away with having a white warmup group when there were probably hundreds of black brothers and sisters in the audience who sang a “choir’s-full” better than us, is a mystery.

But it’s what Andre wanted to do—his way of integrating his race—by using us.

He was an unpredictable, never-on-time, kind, flakey and humorously fussy individual.

He helped me.

I got to see firsthand how an audience is to be gently handled—loved to life.

I got to climb onto his tour bus and drive around with him, seeking good barbecue in Toledo, Ohio. (We failed).

And I was shocked one Saturday morning when he arrived at a tiny gig I had—a breakfast for about forty people. Andre decided to drive up some 150 miles from Detroit, where he’d been in concert the night before, and surprise us.

Needless to say, that itsy-bitsy audience came alive once Mr. Crouch entered the room, and soon forgot I was even there once he walked over to my Wurlitzer electric piano and banged out some tunes.

Andre died several years ago.

But as is the case with all of us, he lives on because one of the people he loved and helped is here to tell a good story.

funny wisdom on words that begin with a C


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