Every writer, whether aspiring or accomplished, has to make a personal, singular decision:
Am I going to write my articles and thoughts down as they relate to the subject or as they relate to me?
It’s a huge decision.
Well, not huge in the sense of attempting to get funding to cure cancer, but huge as defined as acquiring purpose and having relevance.
I suppose some folks would be interested in an article written on the subject of ballrooms or ballroom dancing which would enlighten them on history by discussing the international traditions.
That’s not what I do.
I am not a reporter; I am a sharer.
So when I think about ballrooms, or ballroom dancing, I relate it to my limited experience with “hoofing.”
I haven’t done a lot of dancing in my life. Considering my size and girth, I’m really quite agile, but have never had the doors of opportunity flung open for me to tap dance my way into people’s hearts.
But I do remember what it was like to be seventeen years old and going to a prom, knowing that I would be holding a woman very close to me, and have to perform some reasonable imitation of flow. Coming from a small town, it was thrilling to arrive at one of the big-city hotels, which had a ballroom with hanging chandeliers.
The lights were dimmed, the 5-piece combo began to play, and it was time to sway.
I was swept away.
Suddenly I felt like every young boy from every generation, who found himself enraptured in the aura of romance and the itch to coagulate and dance.
I wasn’t very good, but I took some risks, we had some good laughs, and for a brief moment, the young lady and I were transcendent in time, wisked away on magical shoes.
I will never forget it.
I never had a desire to duplicate it. I didn’t go to Arthur Murray and try to perfect my steps.
But in that suspended moment, I understood why they made ballrooms, and why they filled them … with dance.
Thank you for enjoying Words from Dic(tionary) — J.R. Practix
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