Cavalcade

Cavalcade: (n) a formal procession of people walking, on horseback, or riding in vehicles.

I often rebuke my brain for always trying to turn something into a philosophical quagmire instead of just eyeballing what is set before it, and
accepting the image for just what it is.

I like parades–I do.

But for some damn reason, my brain starts thinking too much.

Am I letting the parade pass me by? Am I merely in the gallery watching the participants stream along?

First of all–I don’t like to stand for much of anything. Never have. I will always find a seat. Matter of fact, if you give me a bucket of chicken and a chair, you could march two or three parades by me.

There is a cavalcade–an ongoing flow moving down the highway. Someone is in charge of that parade. There is a person who knows where it begins and where it ends. At least I think so.

But as life streams by us, is there anybody in charge?

Does anybody really know what they’re doing?

Is there a Parade Planner?

You see? There I go again.

My brain will not leave well enough alone. Sometimes I punish my mind by watching episodes of “I Love Lucy,” which couldn’t possibly have any other meaning than foolish 1950’s television.

Other times, I just listen to the news … which seems equally as vacuous.

 

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Box Office

Box office: (n) a place at a theater or other arts establishment where tickets are bought or reserved.

In the midst of my human journey, which I’m sure some people would consider a cavalcade of bizarre experiments and perpetual oddities, I, for a season, wrote screenplays, which were produced into low-budget, independent films, and showcased at festivals.Dictionary B

On top of that, we had a premiere of each film, which could be viewed by all of the participants, actors and family members, so they could “ooh and aah” over their participation (and also confirm that the camera really does put ten pounds on you).

I was in Michigan and they were shooting my script entitled “Wonderful,” which was a tipping of the hat to the Capra film, “It’s a Wonderful Life,” when it was determined that we would rent a big metroplex theater for our premiere.

It was a bold move.

The place seated about 300 people, and we had no reason to believe that such a multitude would be willing to come and see our little endeavor.

I vividly recall sitting in the parking lot, staring at the road leading to the theater and watching as the cars–one by one, then three by three, and finally ten by ten–began arriving for our debut.

It was thrilling.

By the time everybody gathered, the place was full, the movie was screened, the energy was supreme and the human interaction of joy and fellowship that followed was the definition of what our lives should truly be.

I will never forget that box-office moment, when the people poured out of the theater, some in tears, some laughing, some grumpy (maintaining their nature) but all aware that they had broken down their barriers, and allowed themselves, for a brief moment, to truly be brothers and sisters.

 

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