Cursive

Cursive: (adj) handwriting in flowing strokes with the letters joined together

Upon seeing the word, I immediately sat down to see if I could remember how to write in cursive.

It’s still there. I can do it.

It’s completely useless, since I’m not going to be writing a farewell from a Civil War battlefield, nor composing sonnets for Juliet.

When I learned cursive, I was told it was very important.

I want you to listen to this: I was GRADED on it. They asked me to work on it and improve it.

Was there not one mortal over the age of twenty who had enough foresight to realize that we probably would not be scribbling notes to one another in the very near future?

Doesn’t it make you suspicious of other things?

There is a litany of rules and regulations—not to mention, stipulations—that are laid on us every day and pronounced essential.

Case in point: I remember as a small child my aunt teaching me how to correctly use silverware. Honestly, I am not sure that the majority of American people in the course of one day ever touch a fork or a spoon. With our food all coming to us in packages and our hands being the most logical tools for grasping, I just can’t imagine how my aunt’s training on cutlery has proven to be magnificently beneficial.

We are lied to by liars who were lied to before us.

We are prompted by prompters who were prompted.

And we are trapped by trappers who themselves were ensnared.

What is important?

It is a question we do not dare ask. In doing so, we might offend at least half of the populace, and then, when we turn around and pose it in a different way, absolutely annoy the other fifty percent.

Whatever you may think, cursive writing was not a necessary practice, and more than likely will fail to achieve a comeback except in little cults, holding competitions for “Best Penmanship” as they listen to Mendelssohn and chomp on crumpets, sipping herbal tea.

funny wisdom on words that begin with a C

Classical

Classical: (adj) standard, classic.

I have worked for 22 years with an oboist.

She’s a little bit Mozart; I’m a little bit rock and roll.

When we teamed up, I think she was concerned that our musical tastes might be ill-suited for one another. She had played in symphony
orchestras, and I had bopped around with gospel, blues and pop.

What she did not know was that as a boy of eleven years of age, I got hooked on a record series called “The 25 Greatest Melodies of All Time” and “The 50 Most Influential Classical Music Pieces.” So along with listening to rock and roll and some gospel music, I played my recordings of Strauss, Wagner, Beethoven, Mendelssohn and Rachmaninoff.

It was perfectly produced–the records didn’t have so much of each composition to bore me, just the highlights. What you might call the Cliff notes of the masters.

I loved the music. To this day, I think my partner is a little surprised when I insert a bit of understanding (or sometimes misunderstanding) of the music of that era. Matter of fact, she and I joined together to write some symphonies–our tribute to the styling, with the addition of our original juice.

It’s too bad we have to call something “classical.” It scares off the best market–young humans. After all, why would they want to listen to any music their parents might enjoy?

But what they don’t understand is that these composers who wrote this dynamic material were just a bunch of radical, rebellious, rag-tag and reckless adolescents.

 

Listen to Stitcher

Donate Button