Cinch

Cinch: (n) an extremely easy task

What are the factors?

I’m talking about the issues that go into making something work or drizzle away in failure.

I wish I could say it was all based upon the value of a good idea or merely the implementation of it.

Not so.

I can think of five things right off the bat that have to be crawled over to get to the finish line.

First, if you want something to be a cinch, it has to work out on paper. If it doesn’t, then you’re hoping for grace (if you’re spiritual) or a mutation (if you’re scientific.)

A bad start.

The second thing is resource. In other words, simply knowing what to get doesn’t get it. Can you locate what you need and once located, can you acquire it?

Third, luck. Many people do not believe in it, but there is a chaotic aspect to nature that cannot be denied. After all, the same thing we try today often doesn’t work tomorrow for no explicable reason.

How about nerves? Oh, yes–the football team was ready for the game, and then became unnerved. What causes it? When do we look at the challenge and visualize the victory, and when are our eyes affixed nervously on the adversary?

Of course, there is the fifth and final hurdle. It’s called performance.

Everyone reading this has had an occasion in their lives when everything was perfect except for one thing–and that single unit blew everything apart.

The reason most people spend their lives in lamentation is that they are burdened with the need–shall we say, expectation?–for something to be a cinch.

This writer will tell you, the only thing he has found to be a cinch–a guarantee–is that there will always be a surprise waiting for those who dare to brag about being prepared.

 

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Blockbuster

Blockbuster: (n) a movie, book, or other product that is a great commercial success.

Dictionary B

“Tell me a story.”

This may be one of the first complete sentences that each of us uttered to our parental figures to delay our bedtime, but also procure an interesting tale.

What is it we like about a story?

  • We have to be able to relate to it in some way.
  • We have to feel something.
  • There has to be a surprise.
  • Maybe a conflict.
  • But the resolution needs to satisfy us–even if sometimes it is basically an unsatisfying conclusion.

Movies are made in Hollywood all the time. I can always tell when a movie is going to make lots of money but fall by the wayside and never be mentioned again–the word “blockbuster” is always assigned to it.

So even though hundreds of blockbusters have been made, garnered profit and slithered into the shadows, it is the simple flick that retains our interest and keeps us coming back for more.

I don’t know how many times I’ve watched The Princess Bride.

How about Shawshank Redemption?

I’m a sucker for Forrest Gump.

Meanwhile, the blockbusters don’t seem to carry the intrigue–because they ask me to watch instead of feel. I’m a human. If I don’t feel, I move on until I find something to feel.

So I completely understand Hollywood–they have worked out a system to make expensive movies minus some heart, which have great opening weekends and procure tons of money.

But even though it won many awards and was a blockbuster, Ben Hur just does not have the lasting appeal of It’s a Wonderful Life.

 

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