Chromatic: (adj) a musical scale including all existing pitches
I have sung for decades.
This doesn’t mean I’m a good singer–and I’m not trying to be humble. Singing is similar to chasing a butterfly–because you may be able to see what you want to capture, but it can quickly flit away.
Sometimes your voice is not in good shape. Humidity can affect it–and stubbornly insisting you are on pitch is the best way to be out of tune.
So one of the best exercises for singing is practicing the chromatic scales up and down. Moving your voice only a half-step teaches you precision–and exposes those occasions when you might find yourself rubbing up against the correct tone but not actually owning it.
Now, if you’ve never sung, this may not mean anything to you. If you’re a singer, some of this may not mean anything to you.
But the reason I continue to sing is because it’s a wonderfully humbling chamber for the human ego, because there are three obvious realizations:
1. You’re at the mercy of your voice
2. There is no excuse for bad tone or bad pitch
3. There is always someone who will sing better than you.
Aisle: (n) a passage between rows of seats in a building such as a church or theater, an airplane or a train: e.g. the show had the audience dancing in the aisle.
I shall use the airplane as my example. It happens in three phases.
As an adult male, I have approximately a forty-five pound ratio of wiggle in my room. What I mean by that is that sometimes my girth will soar–if that’s possible–to forty-five pounds heavier. And on other occasions I will drop that forty-five pounds, reaching my more svelte.
As you can imagine, in most intervals, I hover between.
I can tell where I am in the various phases of my evolution by walking down the aisle in an airplane. If I am peaking, I must perform the task sliding completely sideways. If I am in my lean and keen phase, I can stand and walk completely upright, facing forward, without carrying other people’s newspapers with me along the way. If I land between the two conditions, I can move forward a few feet before a buttock will catch on a seat, demanding that I shake and rattle my way free before proceeding forward.
It is a marvelous test to determine my progress or regression–perhaps even more effective than weighing on a scale.