Cove

Cove: (n) a small indentation or recess in the shoreline of a sea, lake, or river

 Clever will only take you so far.

This is true in any occupation, but certainly must be observed faithfully by the writer.

For you see, I am going to tell a story today about when I was sixteen. The temptation is to preface this story with an introductory sentence funny wisdom on words that begin with a C
which sounds cool, or what they might refer to as “off-the-top-of-the-head-ish.”

For instance:

  • when I young
  • back when pimples were my major problem
  • long before anybody called me Dad
  • in an era when I languished in my teens

You see what I mean?

Although at times these little scribbled affrontations are passable, they can get old very quickly, even if you’re talking about being young.

So suffice it to say, at one time in my life I decided to start a coffeehouse for the fellow-students at my high school. This was back when such an idea seemed expansive and other-worldly rather than old-timey and really out of it.

I found a small house—so tiny it was difficult to believe anybody had ever lived in it. But you could stuff about thirty-five people in, on the ground floor, if everybody agreed to inhale and exhale in unison.

It was perfect.

I covered the windows so no external lighting could come in, installed black lights and put colored bulbs around to give it a spooky effect.

We could not decide what to call the place, but one night, as we pulled up, we noticed it looked like an old fisherman’s cabin. So someone suggested we call it, “The Cove.” Actually, the suggestion was “The Fisherman’s Cove,” but as the weeks went by, the adjective was dropped, and it became known as “The Cove.”

All the students at the school jockeyed for the right to be one of the holy thirty-five to come to The Cove on a Saturday night, to sit around and eat bologna sandwiches and listen to the rock music our parents were sure would lead us to hell.

As it turned out, the rock and roll music did not take us to hell, but unfortunately, the bologna sandwiches gave us cholesterol problems.

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Cobalt

Cobalt: (n) the chemical element of atomic number 27, a hard silvery-white magnetic metal.

My dad decided to die when I was sixteen years old.

He had planned it for nearly thirty years.

As a cigarette smoker who actually bought tobacco in the can and “rolled his own,” he had pretty well determined the end of his story long before he’d lived out all the plot lines.

I was one of the plot lines.

Before I found out that he had terminal lung cancer which had spread to his brain, there was a brief, three-month period when he became warmer, more tender–wanting some closeness with me.

Unfortunately, by that time I had created so much distance there was no way for me to transport myself to his side–even when I discovered he was dying.

They sat down and explained it to me, pointing out that he would be going through radiation treatments, which involved cobalt. He did.

Yet he barely survived the only cure they had available. When he returned home, he could barely walk and had trouble breathing. His skin was red like he had a deep sunburn, and he smelled like the trash we burned in the back yard.

Being around him just scared the hell out of me.

Everyone wanted me to turn into the devoted son who held the hand of his ailing father up to death’s door.

I just couldn’t do it.

Even when his breathing became so heavy that I could hear it through the walls while sitting on our porch stoop, I couldn’t bring myself to tell him that I loved him or even be present when the last gasp escaped his being.

This is my memory of cobalt.

It was used in the early years of radiation treatment, and left the patient nearly vacant of the resources to think and move.

As I sit here today, I can wish that I had been a better son and he a better father.

But that is because I have an older mind, and sometimes find it difficult to regain the fury involved in being sixteen.

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A cappella

by J. R. Practix

dictionary with letter A

A cappella: (adj. or adv.) {with regard to choral music} without instrumental accompaniment.

I was sixteen years old and had a musical group. We thought we were great, which is the necessary profile to maintaining the immaturity of being sixteen years of age. We had recently won a talent contest at our school, so we were over-pumped with our abilities and found other people’s instruction repugnant.

A gentleman asked us if we would like to record the song we had sung at the talent contest for his local radio station, to be played the following Sunday for the vast “tens of listeners” tuning in.

Of course, we agreed, fully aware of how fortunate this man was to have such a talented group of young people coming in to his little station to share their unique abilities. We arrived at the studio and found that there was no piano. We required one, so it seemed like we were stumped, with no recourse. The radio station owner ran from the room and quickly returned, holding in his hand–a pitch-pipe.

He said, “Why don’t you sing it a cappella, and I’ll give you the note to start on, and we can record it?”

Well, we had never sung our song without accompaniment, but after all, being the best singers in Delaware County, it seemed like something we could take in stride and accomplish with no difficulty whatsoever.

So he blew a C on his pitch-pipe and we began to sing, as he recorded. We struggled a bit. None of us realized how dependent we were on the strands flowing from the keyboard for our sense of self-confidence. Yet we persevered.

When we reached the end of the song, I looked over and noticed that our recording engineer had a grimace on his face. He paused and said, “Would you like to try that again?”

Fully inflated with arrogance, I replied, “Why? It sounded good to me.”

So he blew the pitch-pipe and played back the last note we sang, and explained that we had fallen a full tone in the process of singing our song. Still fueled with immaturity and impudence, I said, “What difference does it make–as long as we ended up together?”

I added, “Perhaps your pitch-pipe is broken.”

This last assertion was quickly disproven when he played back the entire recording and it became obvious where we lost our way. Yet because we were young, impetuous and just damned lazy, we refused to record it again, insisting that “it sounded fine.”

Faithful to his word, he played our a cappella version the following Sunday morning on the radio, and amazingly enough, no one commented to us about it–good or bad.

That was the day that I gained great respect for singing a cappella–and also for the value of honoring the pitch.

In all facets of life, if you don’t stay in key, you will end up with a whole lot of sour notes.