Tag Archives: subjugated

Cotton

Cotton: (n) a plant with soft, white, downy hairs

It’s not cotton’s fault.

Cotton is not to blame.

But honestly, I can’t hear the word “cotton” without thinking about slavery.

I know—I’m weird.

It doesn’t keep me from wearing a cotton t-shirt or cotton socks. But cotton was a crop that was so difficult to pick, and grew in such a hot climate, that a funny wisdom on words that begin with a C
bunch of white people who couldn’t withstand the process, decided to abandon their entire moral code and respect for humanity and bring in black folks from Africa, convincing themselves that these souls were little more than apes—so that the damn stuff could be gathered and turned into a profit.

The world wanted cotton and the South didn’t want to pick it. So rather than finding a better way to do it or creating a living wage for those unemployed white Southerners who might be willing to consider pursuing the occupation, it seemed logical in the minds of those from that era to enslave a race of people to promote a crop.

Black people picking cotton.

The activity was the origin the racist statement, “You must be out of your cotton-pickin’ mind.”

That would have been considered a double insult: first, that you were relegated to picking cotton, and second, that you were as hapless as they insisted Africans were.

Even in the South today, when driving along, seeing these strange fields full of the white blooms, it crosses my mind: who’s picking this stuff now?

And then, to my horror, I drive a little piece up the road and see black brothers and sisters wearing loose-fitting clothes and head scarves, still plucking the crop from the field. Even though they now receive a wage for doing so, the sight is almost too frightening to perceive.

Like it or not, certain things become tainted.

I’ll never be able to see an old movie that shows the Twin Towers of New York in the background without tearing up.

I’ll never be able to view a Confederate flag without remembering the arrogance and ignorance that punished a race of people and imprisoned them into forced labor.

And I don’t think I’ll ever be able to look at a cotton field without being reminded of the atrocity that was brought about in our country by white people picking a white crop to undergird their white privilege while subjugating black hands to do so.


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Chariot

Chariot: (n) a two-wheeled horse-drawn vehicle used in ancient warfare and racing.

“Negro spiritual. “

It’s not exactly an oxymoron, but within the two words there seems to be a contradiction of purpose.

After all, if you were a Negro, you might find it difficult to be spiritual to those who decided to know you only by that term.

Yet a race of people who were beaten, subjugated, raped and sometimes nearly starved managed to get around a fire late at night when their persecutors had retired to the Big House, and come up with songs which we now display in our religious catalogues today.

  • “Let My People Go”
  • “Were You There When They Crucified My Lord?”
  • And of course, “Swing Low, Sweet Chariot”

Even though the songs are melodic, harmonic and perhaps even rhythmic, they all carry a central theme: “Dear God, I hope they stop beating me and if they won’t, I hope you kill me soon.”

You can be sympathetic to their plight.

“Swing low, sweet chariot,

Comin’ for to carry me home…”

A pretty simple passage: “Since there’s no solution here on Earth, since the Massa has the whip and since my family can be sold at a moment’s notice, maybe it would be wise to begin Eternity really soon.”

Negro spiritual–a music that tells us where people find solace when other humans abandon and mistreat them.

It is soulful, it is seeking and it is sad.

I can’t listen to the song about the chariot without realizing that my ancestors made the singer want to die.

 

 

 

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Angelou, Maya

dictionary with letter A

Angelou, Maya: (1928-2014): a U.S. novelist and poet, who wrote the autobiography, “I Know Why the Caged Bird Sings,” recounting her harrowing experiences as a black child in the American south.

When Ms. Angelou died recently, I was curious about how the press would discuss her journey.

Let’s be honest–it’s what we do. We characterize human beings into such small compartments that it is difficult for them to be contained without busting out the sides.

Here is what I discovered: most of the reports focused on some aspect of her race, her experiences within the realm of her color, or her writings about the subject. It will be many generations before we’re able to escape the statement, “She was black.”

The next popular phrase used for her was “ground-breaking.”

Often I think we fail to understand that breaking ground means that the earth has gone fallow, failing to grow anything, and that someone needs to take a shovel to the crusty surface and risk looking like a fool for pursuing hope in the desert.

Even though we laud her efforts, we must realize that she spent the majority of her life subjugated by a society that found her inferior by hue, even though she was able to intellectually surpass all the hum of their activity.

In third place was an appreciation for her art.

I suppose it might have taken a primal position had it not been for an ongoing, quiet racism that whispers in corners of the secrecy of our private moments.

I personally remember her as a soft-spoken, gentle woman with a bit of edge, who tried to explain the confusion around her using more beautiful language than it perhaps deserves.

I recall her debating a rap artist and telling the young man that using dark or evil language was like pouring poison into the world. She said, “Poison is always poison.”

The young rapper was very respectful but unmoved. For after all, one man’s poison is another man’s medicine, and all the cures we have for ailments, left to themselves or taken in excess, are deadly.

She was a tender, simple woman of craft who believed there was still much to be done, carried the scars of her upbringing and yearned for a more peaceful place.

It is a great comfort to me that she has found that home.

It is a great curiosity to me that perhaps in the future, people like Maya can be known for what they say … instead of what color they appear to be.

 

 

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