Confrontation

Confrontation: (n) a hostile or argumentative meeting or situation between opposing parties

Sometimes I think Mr. Webster’s had a bad day.

Yet I guess those who put together the dictionary try to reflect the mood of the society in which we live. Somewhere along the line we’ve begun to believe that “I don’t agree with you, I don’t appreciate that, I don’t understand,” and “I hate you” all mean the same thing.funny wisdom on words that begin with a C

They don’t.

Each one signifies a different human emotion. Therefore, each one has to be handled at the level of confrontation it presents.

Let’s start with Number 1.

  1. “I don’t agree with you. “

Honestly, this is a confrontation. It may limit immediate harmony but it is not without the potential for conversation, compromise and resolution. Matter of fact, we might consider it essential to the climate of a democracy.

  1. “I don’t appreciate that.”

This is a different level of confrontation. It is objecting to how something was handled. It is not terminal to a relationship–it merely sets a timeclock for interaction, sensitivity and reconciliation.

  1. “I don’t understand.”

Also a form of confrontation. This states clearly that what was stated is not clear. It is asking for additional information. It is not a personal attack, nor is it a judgment of the original idea. Clarification.

  1. “I hate you.”

This is what Mr. Webster envisioned when offering his definition. But “I hate you” has little to do with a desire to create an exchange of ideas and a communion of souls. It is a giant leap into the fiery pit of hell where all hatred dwells.

I believe in confrontation.

Without it, we live in a world of insincerity, in which gossip becomes the only way we express our true feelings.

 

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Anomaly

dictionary with letter A

Anomaly: (n) something that deviates from the normal, standard or expected

I liked music.

At eighteen years of age, I’m not so sure that I was totally devoted to a career in the field or whether there was a bit of laziness tied into the equation, because playing piano sounded easier than punching a time-clock. (After all, we get ourselves in the most trouble when we try to purify our motives instead of accepting them a trifle sullied.)

One afternoon during that eighteenth year, I took my girlfriend, who was soon to become my wife, into a back room of a loan company owned by my parents and sat down at a piano which had been given to our family, but because we had no room in our house, ended up stuck in the back corner of this lending institution.

I had never written a song before.

As a teenager, I sang in choir, a quartet and for nursing homes, pretending like it was a big gig at Madison Square Garden.

Yet on this day, I suddenly got this urge to compose. It was not stimulated by a professor at a college asking for an assignment, nor was it motivated by my ancestors, wishing that I would abandon all normal courses of occupation and pursue a musical path.

It was truly an anomaly.

  • It was contrary to what everybody wanted me to do.
  • It was an open, seething contradiction to my cultural training.
  • I sat down at that piano, and in the course of the next ninety-four minutes, wrote two original songs. I didn’t know if they were good and certainly was not confident they were great.

But something came out of me that wasn’t a conditioned response or a well-studied answer for a final exam.

It was mine.

Whether it was good or bland, it came from me. It excited me. It encouraged me to muster the perseverance to survive the critique of my society and even overcome my own fits of lethargy to pursue it.

It still excites me today.

Hundreds of songs later, I still feel as thrilled when pen goes to paper, words appear and musical notes cuddle up next to them.

No one in my family ever took the course of action which I chased, beginning with that afternoon in the back room behind that piano.

But it is the selection of that odyssey that has made me who I am.

There are two things you have to remember about an anomaly:

  1. It is never immediately accepted.
  2. It always takes more work than you expected.

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