Coarse

Coarse: (adj) rude, crude, or vulgar.

Fortunately for the human race, if for some reason they do not want to deal with your message or the impact of your words, they can either critique your style or claim that your language is coarse and profane.

I have spent the major part of my professional career trying to determine the words that best describe what I’m trying to communicate, and then attempting to slide those cherished words into the body of my work, without being shunned for foul usage.

Honestly, when describing an atrocity and the need for change, the word “darn” does not replace “damn.”

For many years I was critiqued for saying “crap”–but “bullcrap” is not as energetic as “bullshit.”

The purpose of speech is to communicate. The goal of the written word is to impact. And the mission of the visual is to enlighten.

They must be permitted to do their jobs without being censored, or even-tempered.

I happen to agree that the word f-u-c-k is rarely necessary to communicate and certainly should not be overused as an adjective or an adverb.

But even that stipulation carries a bit of fuddy-duddy, which is not necessarily applicable in the pursuit of waking up the sleepy masses.

Having survived a lifetime which has included living in a society where the word “pregnant” could not be uttered on television, to now living in an Internet generation, where temperance is disdained, I am more than happy to put guidelines on my own soul–using an economy of words to justify the heart of the story, without coarsely tainting it with unnecessary emotions which threaten to condemn it.

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Clown

Clown: (n) a comic entertainer

There are actually three types of clowns, offering varying degrees of danger.

Yes–clowns are dangerous. They forewarn of outrageous comedy but soon become common, needing to push the envelope, opening the
door to all sorts of excesses.

Clown 1: Often referred to as the “class clown,” although he or she can be quite classless.

This is a person who feels it is their job to bring a giggle, even if a sigh or tears is required. He or she is quite angry if you suggest that the insertion of levity is poorly timed. And God forbid that you would ever try to take away their First Amendment right to be funny. After all, what gives us the authority to determine what is comical as opposed to offensive? (Wait! Isn’t that what being mature is all about?)

Clown 2: The Classic Clown, wearing a red nose and floppy shoes, to warn those around him or her of a calamity of errors, which is supposed to be interpreted through the slapstick antics, as side-splitting.

Physical comedy is an instinct to laugh at another human’s pain. When stated that way, people wrinkle their brow and suggest that you’re an old fuddy-duddy.

Clowns have to work too hard to get the job done. This would be similar to a fire-fighter attending a backyard barbecue just in case a three-alarm blaze might break out.  And finally…

Clown 3: These are the people in government, religion and business who have discovered they have gotten away with some egregious action, and nobody has stopped them, so they continue their path of errancy, adding on boxes of insult to the shipment of injury.

“Since I got by with THAT, and nobody challenged me, I wonder if I can do THIS.”

These clowns are particularly annoying because they don’t sit in a classroom, nor do they wear fright wigs. (Well, at least most of them don’t.) What they do is fit in–while not fitting in at all.

They take a code of ethics and turn it into a paper airplane, which they toss through the air to prove how free-wheeling they truly are.

They question values which have proven to be gold, and pretend they are nothing but yellow bricks.

As you can see, all three clown roles seem to have more drawbacks than positive contributions. Yet we continue to allow them to exist under the canopy, “we all need to laugh.”

Actually, we all need good cheer, which means most of the time, if we’re going to mature, we should be laughing at ourselves, not at the pratfalls of others or the decimation of common sense.

 

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