Crass

Crass: (adj) without refinement, delicacy, or sensitivity; gross; obtuse; stupid

How does one write in such a way as to communicate that the thoughts being shared are in a whisper?

Great question, huh?funny wisdom on words that begin with a C

Well, if you would imagine that I am whispering, I will tell you to calm your spirit and listen carefully.

There is one secret to life and one alone. It is the thing that prevents us from being crass.

After all, crass is when things go along real well until someone threatens our sacred cow, never actually having any intention of killing it.

And at this point, people argue. They challenge. They bicker. And more often than not, it ends in some uncomfortable stand-off, where the footing is slippery, and the grudges begin to ice up.

We are all crass until we learn one valuable idea:

Don’t be defensive.

If someone makes a statement in your direction that offends you, don’t immediately leap to share explanations of your motivations or calibrate the correct insult to fire back.

It is really what is meant by “turning the other cheek.” It is not allowing somebody to punch you and then giving them permission to beat the hell out of you. No, it is refusing to become defensive, and instead, measuring the moment to see if you want to put yourself in the middle of a lengthy discussion, or would rather just go home.

Candidly, wasting time is more aggravating than being insulted. Consider the source, consider your heart and soul, consider your time.

We become crass when we feel it is necessary to defend ourselves whenever anyone darkens our countenance with their disapproval.

But crass by its very nature always leads to an overblown objection that makes the other person defensive, and then two defensive people defend themselves until everybody’s offended.

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Chorus

Chorus: (n) the. part of a song that is repeated after each verse

I’m a songwriter. Let’s just leave it at that.

I grow weary of the sentences that follow proclamations, trying to convince the listener of the credibility and importance of the proclaimer.

Obviously, if I were a great songwriter you would know me. Even if I were a great songwriter who was under-promoted, you would probably be familiar with something I have written.

I write songs because they are the most gentle way to communicate a message to a hearer. There’s something about melody, harmony and even rhythm that brings down our defenses, opens our hearts and exposes our soul.

Even a good songwriter who may not be great will tell you that it’s all about the chorus. Some people refer to it as a “hook chorus”–the part of the song that’s easy to remember, using as few words as possible to communicate volumes of ideas.

Simple. Singable. Often rhyming. And dare I say, clever.

These are the attributes that go into a good chorus, which follows a heartfelt verse.

For the truth of the matter is, many people will never remember the narrative of a song, but the chorus will be hummed and regaled for years to come.

After all, the Beatles got by with:

“Na, na, na, na-na-na-na

Hey Jude…”

Certainly an economy of syllables, producing a monster of memories.

 

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