Credits

funny wisdom on words that begin with a C

Credits: (n) a listing of those who create a film

Let me give you a really quick clue on a way to identify a shitty film:

Any movie that has many, many credits rolling BEFORE the action begins—or especially before you even see the title—Is a piece of doo-doo on celluloid.

You can tell because you realize they had too many meetings discussing who would get credit, how it would be phrased, how it should be presented, and in what order it could be placed on the screen, instead of sitting around trying to make a better flick.

The greatest problem with art is that it becomes quite ugly and loses all beauty as those who are trying to push themselves forward insist on struggling to the front of the line.

If a motion picture has more than one director, more than one company, more than one producer and more than one cinematographer, generally speaking, someone is trying to bullshit someone else to gain power, instead of putting the work in on crafting something entertaining and inspirational.

That’s why when you see a great film they get you into the setting as quickly as possible instead of rolling fifty names in front of your face, which frustrates you because you have to remember what movie you’re actually watching.

I have been a part of making some independent films, and I will tell you:

The simpler, the better

  • The director should have a name.
  • The writer should have a name.
  • And the cinematographer and editor should have names.

And preferably, one name for each category, so that egos can get out of the way and the possibility for great storytelling can unfold.

Ironically, movies with lots of credits normally don’t deserve any credit.

 

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Box Office

Box office: (n) a place at a theater or other arts establishment where tickets are bought or reserved.

In the midst of my human journey, which I’m sure some people would consider a cavalcade of bizarre experiments and perpetual oddities, I, for a season, wrote screenplays, which were produced into low-budget, independent films, and showcased at festivals.Dictionary B

On top of that, we had a premiere of each film, which could be viewed by all of the participants, actors and family members, so they could “ooh and aah” over their participation (and also confirm that the camera really does put ten pounds on you).

I was in Michigan and they were shooting my script entitled “Wonderful,” which was a tipping of the hat to the Capra film, “It’s a Wonderful Life,” when it was determined that we would rent a big metroplex theater for our premiere.

It was a bold move.

The place seated about 300 people, and we had no reason to believe that such a multitude would be willing to come and see our little endeavor.

I vividly recall sitting in the parking lot, staring at the road leading to the theater and watching as the cars–one by one, then three by three, and finally ten by ten–began arriving for our debut.

It was thrilling.

By the time everybody gathered, the place was full, the movie was screened, the energy was supreme and the human interaction of joy and fellowship that followed was the definition of what our lives should truly be.

I will never forget that box-office moment, when the people poured out of the theater, some in tears, some laughing, some grumpy (maintaining their nature) but all aware that they had broken down their barriers, and allowed themselves, for a brief moment, to truly be brothers and sisters.

 

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B Movie

B movie: (n) a low-budget movie

Dictionary B

I have written twenty feature-length screenplays.

Thirteen of them have been made into independent films.

Let me explain something: no one sets out to make a bad movie. No one wants their movie to slip to “Letter B” in the alphabet.

There are four things that determine the fate of a movie.

1. Since it is definitely over-written, as all scripts are, picking and choosing what to cut out is similar to deciding whether you’ll cut off your hand or your foot. Yet if one is infected, the amputation is certainly necessary.

2. Bad actors can turn good sentences into question marks.

3. Editing a movie is similar to using a hatchet to trim your fingernails. In other words, if you try to speed up, there will be some blood loss.

4. The public is picky. If you shoot for a particular emotion or feeling, that reaction may not be presently available in the audiences provided.

So many movies that planned on being A rated ended up sliding from their lofty goals, further confirming–perhaps without our knowledge or permission–whatever will B will B.

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