Decisive

Decisive: (adj) characterized by displaying no hesitation; resolute

Did you ever notice that we never characterize someone as being decisive if they end up being wrong?

Somewhere in the process of mulling over choices, enough time needs to be taken to increase the possibility of a successful conclusion. On the other hand, if too much time is taken, the juncture of greatest possibility may pass, and the person who failed to step into the historical hook-up ends up not being decisive.

It all depends on three words:

  • Power
  • Purpose
  • Pounce

First, you have to have the power to make the decision.

If you don’t, it’s called an opinion. If you’re not allowed to have an opinion, it’s viewed as an annoyance.

The purpose is the rational common sense that makes the insight viable and necessary for this time.

Without the purpose, we are not just purposeless—we actually end up merely “less.”

And finally, pounce.

The pounce is the exact moment to move on an idea—when to step out and make things happen, doing it with such enthusiasm that there’s no doubt that you and all your teammates have full confidence in the determination.

Without these three working in harmony—like an aging women’s trio from a Southern Baptist choir—the destiny of any project is going to be flawed, leaving the participants wondering why they were so enthusiastic and what in the hell happened.

So don’t favor your power if you can’t generate a purpose.

And don’t over-talk your purpose unless you’re prepared to pounce.

Alto

dictionary with letter A

Alto: (n.) a voice, instrument or musical part below the soprano and above the tenor

It’s called a triad.

I’m not trying to give you a music lesson. It’s a simple blending of two notes that creates a cohesive and usually very pleasant harmony.

It was the staple of music for generations, but in the past thirty years it has been forsaken in favor of harmonies which stress the fourth and fifth instead of thirds.

Now, understanding that this is much too technical for anyone who does not pursue bass and treble clefs, let me personify it better by saying that if you’ve ever heard a women’s trio sing in a church or civic organization, one of the ladies always carries a harmony which clings to the melody so faithfully that it is almost like a twin.

It is beautiful. It is gorgeous. But for a generation of musicians and composers who favor a bit darker sound to their tunes, it is probably quite annoying.

Matter of fact, the most common way to end a song in today’s market is on the major seventh or with a dangling fifth.

Once again, I’m getting too technical. But understand this: sometimes it’s just lovely to hear a melody accompanied by a triad tripping faithfully along behind. It is a union that reminds us that the universe is not meant to be strident, but is intended to have a soprano … accompanied by a well-tuned alto.