Contemplative

Contemplative: (adj) expressing or involving prolonged thought

It is normally considered hazardous to tread on thin ice–due to the fact that the ice will break and you’ll find yourself plunging into frigid waters.

But what if the ice is not supposed to be there? What if it needs to be melted–done away with because a new spring has sprung and it’s timefunny wisdom on words that begin with a C to be finished with chilly weather?

This is how we came up with the term “break the ice.”

So let me step in today and break the thin ice:

Meditation is one of the most dangerous, foolish and unproductive practices that has ever been devised in an attempt to turn people into better souls.

Being contemplative is simply you, walking the aisles of your limited shopping arena in your own brain, and supposedly arrive on ingenious ideas on improving inventory.

But consider–it is your own brain. It’s not being inputted by others. It’s not sapping off of divine grace. Nor is it necessarily even willing to adjudicate the evidence available.

It’s just you–wearing a simple, subtle hat–pretending to be god.

Contemplative people often spend their time trying to soothe themselves in a harried world instead of finding ways to “be of good cheer” on a planet filled with tribulation.

When we get done running from reality and we escape the self-righteousness of thinking that seven minutes with our own brain is a vacation, we might actually be able to use the ears we have to hear what humanity, Mother Earth and even Father God is trying to tell us, instead of merely coughing up mental hairballs of confusion.

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Backstage

Backstage: (n) the area in a theater out of view of the audience, especially in the wings or dressing rooms.Dictionary B

Everyone who ends up onstage has to spend some time backstage.

Matter of fact, you may feel that you’re cursed to that arena, never to gain spotlight.

But I have been backstage many times in my life, and I will tell you, there was never one single occasion when I failed to learn something.

I went through a season when I warmed up the audience for national acts, who were much more famous and adept at the art form than me. So being backstage was a mingling of realizing that no one in the large audience knew who I was–or cared, for that matter–and that if I was to gain any traction whatsoever, I would be required to arrive with my running shoes.

I’ve also been backstage during talent competitions when it was obvious that the person performing center-stage before me was equally talented, or even more blessed, and I needed to refuse to criticize them, but instead, just give my best.

Backstage is where we learn to listen and prepare instead of perform and mug for the audience.

It’s where we take inventory of what we are about to do and eliminate foolish choices.

It is the location for the introspection that causes us to become viable to those around us instead of just becoming jealous no-talents.

 

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Ad man

Words from Dic(tionary)

Ad man (n): a person who works in advertising. It is the classic “love-hate” relationship. Basically, capitalism loves it and humanity despises it.

In our society, we require that products be produced, and once manufactured, they must be marketed in the most competitive way possible. Simultaneously, the nervous, apprehensive and often bored consumer becomes the target for all sorts of chicanery, albeit speckled with a bit of cleverness.

Advertising. It is one of those great annoyances that will not go away, similar to the embarrassment one feels on being a grown-up and needing to put baby powder on a summer heat rash. You wish you didn’t, but you guess you’d better.

How can you advertise something without coming across as the classic over-sales-pitching boob?

I experience it myself. Obviously as I travel on the road, I would like people to participate in my writing, my music, my endeavors and even to purchase some of this stuff so that I can continue to my odyssey and perpetuate my childhood whims.

But how can you be an ad man (or an ad woman, for that matter) without appearing callous to those around you, merely concerned about unloading inventory?

Well, there IS the truth. That means that every once in a while, when making your spiel, you realize that what you have to offer is not a perfect fit for the person in front of you, and you might just gain a soul by backing away and letting them know of your product’s limitations for their need.

This was demonstrated beautifully in the movie, Miracle on Thirty-Fourth Street. The Santa Claus character acknowledges that Macy’s does not have a certain toy and recommends other locations for acquiring it. Management was in an uproar … until they realized that it worked.

Yes, I guess that IS the key. If you can tell the truth about your product in an enthusiastic way, and then allow the patron to make his or her own decision on whether it fits in to their requirements without insisting that they are either short-sighted or “don’t yet understand the full range of your offer,” then you can be a decent ad man instead of an obnoxious one.

Advertising. It won’t go away.

Actually, it shouldn’t go away. But what we CAN require is our American right … to hear and decide for ourselves.